An overgrown tract of an old prison offers a chance to do something visionary. But what will it take to wrest 10 forgotten acres back from the brink?
Amy Lewis Sweetman is in her studio, which is a shipping container next to a compost heap on the dairy farm where she and her husband live. The jerry-rigged foyer is shaded by woven plastic roofing material left over from the cow barn across the street.
This is the headquarters of Agrisculpture, where...